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All posts by Malcolm Toogood

Once upon a time, there was a bear who missed Christmas every year because he hibernated for the winter.  A hare decided this was sad, so left his sleeping friend a present of an alarm clock, which woke him on Christmas Day.  To do this, he enlisted the help of a Mr Lewis, who sold bits of Christmas to the local folk.   Mr Lewis thought it would be nice to tell the locals all about the hare’s plan, and they became so interested that they twittered about it to their friends far and wide.

the bear and the hare

This generated so much interest that Mr Lewis’ business grew and grew until he felt he just had to make a film about it and, as films have to have a title song, he enlisted the help of a famous songstress to sing it for him.  Mr Lewis played the song in his store, and it so enchanted the people who heard it that they wanted to buy their own copy.  So Mr Lewis manufactured a single that became so popular it topped the Hit Parade.   So where, you may ask, does the Passport come into this.  Well to tell you that part of the story, I need to take you far, far away, to another land – Somewhere Only Jobsworths Know. Continue Reading

the short list for album of the year 2012

The intriguing thing about the process for arriving at my Album of the Year 2012 is that all but one of my long-list to be whittled down to that final selection was a debut effort, and the other came from an artist that I was previously completely unaware of.  So could this be an indication of yet another changing of the guard?

I hope so, because if we did anything with our ‘Revolution’ of fifty years ago, it was to lay down a marker that the music scene should never be allowed to become predictable.  Neither should it be the domain of what purports these days to be the NME, where anything is simply uncool if produced more than five minutes earlier, or if not made by an artist considered as a legend simply because they have never submitted to a decipherable interview. Continue Reading

I cannot remember too many occasions when a harp has featured on the stage of a rock concert, except perhaps for visual effect or, during the late seventies, to provide the pretentious ending to a tedious Jon Anderson lyrical soliloquy.

But I certainly have never seen one used as a major instrument throughout a ninety-minute set – until yesterday when, for once, a band with the word ‘Machine’ in their name were anything but mechanical.  Added to which Florence Welsh is not merely a vocal force of nature, she also comes over as, quite simply, a lovely person; not something you can say too often about female leads in these days of ladette culture. Continue Reading

AOTY11I have probably purchased more albumsduring 2011 than for some years and, what’s more, it’s been more difficult than I can remember for many years to select a short list of just the ten.  So quite a bounce-back for this, my 49th annual round-up which includes my album of the year 2011 .  Hopefully my fiftieth will be just as interesting next year; if not, I guess I can always do a retrospective!

This year there have been several albums from established artists that one might expect to be a shoe-in to any top ten, but somehow they proved disappointments, not even making it onto the buy list, thereby excluding them from possible selection.  Continue Reading

2010 seemed to be a somewhat slow year on the music scene, reflected in the fact that my album purchases were probably the lowest they have been this century; in fact quite a lot of the output seemed to have somewhat of a retrospective air about it, including the influences that inspired possibly half of this year’s selections and the final choice for Album of the Year 2010 .

Of course, recession years often mean that quality album output is somewhat sparse, because the music industry tends to put what investment it can into singles releases to ensure a quick return.  The promotional effort goes into creating singles-artist trends that are aimed to keep particularly popular songs at the top of the charts for many weeks.  However, even that failed in 2010, with just two tracks managing the maximum-stay for the year of just three weeks, and only two artists managing to have more than one individual number-one during the year. Continue Reading