The intriguing thing about the process for arriving at my Album of the Year 2012 is that all but one of my long-list to be whittled down to that final selection was a debut effort, and the other came from an artist that I was previously completely unaware of.  So could this be an indication of yet another changing of the guard?

I hope so, because if we did anything with our ‘Revolution’ of fifty years ago, it was to lay down a marker that the music scene should never be allowed to become predictable.  Neither should it be the domain of what purports these days to be the NME, where anything is simply uncool if produced more than five minutes earlier, or if not made by an artist considered as a legend simply because they have never submitted to a decipherable interview. Continue Reading